Laura’s busy month

Read below for details about a couple of local events featuring live and recorded music by CMW's own Laura Cetilia

BROKEN GLASS
By Arthur Miller
Directed by Peter Wright
Live score by Laura Cetilia, cello

Brooklyn,
New York. The end of November, 1938. Sylvia Gellberg has suddenly,
mysteriously, become paralyzed from the waist down after reading
newspaper reports of Kristallnacht in Germany. As Dr. Hyman investigates
Sylvia's life with her husband, Phillip, and her sister, Harriet, he
discovers troubling truths. Miller peels away all the layers of the
characters' lives in this stunning, deeply effective exploration of what
it means to be American and Jewish in 1938.

October 12-13; 18-20 at 7:30
October 14 at 2:00
$10 General; $5 Students/Seniors
 
RWU Performing Arts Center
One Old Ferry Road
Bristol, Rhode Island  02809
Information: (401) 254-3626 - Reservations: (401) 254-3666

THE PEOPLE TO COME
Directed by choreographer Yanira Castro
Score by Stephan Moore, including original music by Laura Cetilia on voice, autoharp, and cello, with electronics

THE
PEOPLE TO COME is a participatory performance installation that invites
audience members to become part of the work unfolding before them.
 Anyone can submit contributions before, during, and after performances
on thepeopletocome.org in the form of images, video, or text in response
to 3 requests: Give us a pattern, a task, a portrait. The website
serves as the digital archive for all the contributed audience
material and all the dances made from that material, forming a portrait
of each night’s performance.

Performances in Studio 1 at the Granoff Center, Brown University
Thursday & Friday, October 25-26, 2012, 6-10PM

Arrive
anytime between 6-10pm for the live performance that features five male
solo performers tasked with creating a dance on site and in front of
the audience. Stay for as long as you wish. Community members
can participate in the making of this work by visiting thepeopletocome.org in advance of the show. Contribute a pattern, a task or a portrait to potentially be part of the live performance.