Tag Archives: David Lee

Experimental Music Concert 2012 Documentation

The concert was a success! Despite having only a few short rehearsals, CMW students, alumni, teachers, and visiting musicians performed the four pieces beautifully to a sizable crowd. Listen/watch/read about them below.

PHOTOS (rehearsal and performance)

 

MUSIC

C.L. (Sakiko Mori, 2012)

This is music I wrote mostly in my head, hoping to make a scenery of sounds that’s there to live, being what they are and doing what they do, neither more nor less. Thank you to the performers for taking this music out of my head and giving it a life, helping it to grow.

Listen:

[audio:http://www.communitymusicworks.org/medialab/wp-content/uploads/2012/06/Sakiko.mp3|titles=SakikoCL]

Watch:

Shutter (Liam Hopkins, 2012)

This was a piece I originally composed mostly in the music program Logic. It was based on the idea of looping a recorded sound to create rhythmic texture. I recorded the sound of film camera’s shutter release and eventually added the violin/viola part you will hear.

In this live performance, the film camera is replaced by a digital camera, more capable of the fast shutter speeds used for this piece, and all the string parts are played by real performers and not looped by a computer.

Listen:

[audio:http://www.communitymusicworks.org/medialab/wp-content/uploads/2012/06/Shutter.mp3|titles=LiamShutter]

Watch:

Scratch (Liam Hopkins, 2012)

Scratch is a composition for string orchestra and field recordings. The strings section is in C major and based on a melody first exposed in the viola section. Underlying the strings part, there is texture of sounds recorded at a string restoration workshop. The piece is largely in sonata form with an interlude in the middle that could most accurately be described as a solo by the operator of the cassette tape players, which contain the recorded sounds from the field recordings.

Big thanks to Gus from Zachary S. Martin, Luthier Contrabass & Cello workshop in Pawtucket, for having us record sounds in the workshop.

Listen:

[audio:http://www.communitymusicworks.org/medialab/wp-content/uploads/2012/06/LiamScratch.mp3|titles=LiamScratch]

Watch:



Creatures of the Night, for string orchestra and recorded sound (Forrest Larson, 2012)

Creatures of the Night, was inspired by a life-long fascination with sounds of the night. Sometimes the source of the sounds are known, but others have mysterious origins. Surely the critters who lived under my childhood bed made sounds. Maybe a few of them are in this piece. Thanks to Sakiko Mori and Community Musicworks for commissioning this piece, and the opportunity to work with some of the students. It has also been a joy to have participants from Institute for Musicianship and Public Service filling out the orchestra.

Listen:

[audio:http://www.communitymusicworks.org/medialab/wp-content/uploads/2012/06/ForrestCreatures.mp3|titles=ForrestCreatures]

Watch:

Rehearsal Recording:


MUSICIANS

About the composers

Forrest Larson

Composer, violist and electronic musician Forrest Larson has composed both

instrumental and electronic music. His work includes both strictly composed music and live improvised electronic music. Instrumental works include music for string orchestra, wind ensemble as well as pieces for unaccompanied violin, viola and cello.

He has had a life-long love of old pre-digital analog electronic instruments, and of collecting “found sounds” from both natural as well as urban landscapes. Analog devices such as oscillators, stomp box filters and shortwave radios are of particular interest.

Some of his works combine electronic sounds and live acoustic instruments. Other work includes electronic scores for abstract films and for solo dancer. His music has been performed locally at various venues in the Providence and Boston area such as the Pixilerations Festival, AS220, Firehouse 13, Mobius, Outpost 186, MIT, Brandeis University, and at the experimental music series CTRL+ALT+REPEAT in Providence, RI. Other performances have been at Carnegie-Mellon University, Washington and Jefferson University (PA), Mansfield University (PA), Southern Oregon University, in Ithaca NY and in Iceland. As a violist, he has played in the New England Philharmonic, Boston Chamber Ensemble, and other chamber groups. He also played violin in the Commonwealth Vintage Dance Orchestra, performed traditional Scottish fiddle music and was the musician for the Middlesex Morris Dancers.

Currently he plays analog electronic instruments with the quartet Sonic Sandbox.

Sakiko Mori 

Sakiko Mori is a musician and a piano tuner currently living in Providence. She mainly plays piano, keyboard instruments, and drums. Sakiko has collaborated with film makers, animation artists, and dancers, as well as performed and recorded music with many individuals and groups.  She co-runs the Experimental Music Lab at Community MusicWorks with Jori Ketten, CMW Media Lab Director.

Liam Hopkins

CMW student Liam Hopkins is a rising high school junior and enjoys playing the viola, composing music, and taking photographs.

 

Performers

Participants in the Institute for Musicianship and Public Service

Eve Boltax, Brianna DeWitt, Isabel Escalante, Joshua Burgos Gonzalez, Mari Lee, Taylor Morris, Lauren Nelson, Maggie Schenk, Jaunter Sears, Andrea Sisco, Jared Snyder, Bryan Susma

CMW Teachers and Mentors

Carole Bestvater, Jesse Holstein, Robin Gilbert, Laura Cetilia, David Lee, Sakiko Mori

CMW Alumni

Joshua Rodriguez, Sidney Argueta

CMW Phase II and Media Lab Students

Heather Argueta, AlexisMarie Nelson, Jose Baez, Angie Descollines, Liam Hopkins, Andrew Oung, August Packard, Paola Pena, Alana Perez, Matthew Ricci, Alondra Rivera, Ian Rosales, Natasha Rosario, Jaxine Wolfe, Jesse Woodbury, Emily Cabreja, Aiden Sullivan, Malachy Hopkins

 

 

Field Trip to Zachary S. Martin, Luthier Workshop

Today we went on a field trip to Zachary S. Martin, Luthier Restorations in Pawtucket.This is a workshop specializing in repair & restoration of contrabass and cello, by Zachary. (He is also known  as Gus, so we’ll call him Gus!) Gus showed us the workshop and gave us a basic but thorough explanation of how string instruments are made and repaired. He showed us all the different stages of the whole process.

Gus also told us that he always loved to play music and make things out of wood, and that’s how he became a maker of string instruments.
Then Gus let us do recordings in the shop while he worked on instruments. There are so many interesting sounds happening! He also introduced us to his friendly dog and let us all play his contrabass. The recordings we made will be used in our piece for the final performance on 6/2. Thank you very much Gus, for such an inspirational tour.
Here are some photos of our trip by Brandon L, and more photos on CMW’s Flickr in the slideshow below!

 

 

 

 

 

 

 

 

Cage Centennial Concert

After many weeks of rehearsal, the Cage Centennial Concert at the Arsenal finally arrived.

In the words of one concert-goer:

“I’ve never attended a show of this type of music, or sound art, or whatever it is referred to as. It mostly had the same effect on me as meditating – forcing me to confront uncomfortable thoughts or acute self-consciousness. It was very different than listening to it recorded. I was really effected by the one with four or five percussionist around room, and the one with the guy reading cage writings and kids eating carrots and cereal and people playing checkers. Those kids were cool.”

Thanks to Laura and Mark Cetilia for organizing the show!

Preparing for Cage Concert Continued!

Today we ran through the Cage piece with the timings we set through a chance game last week.

We talked about stage presence, performing, meditation, and timing.

We noticed that it felt uncomortable or awkward or boring to sit in silence for some people, and felt nice, quiet, and relaxing to others.

The piece is 19 minutes, and we get to run it through one more time next week before the performance (at 8PM on the 23rd at the Arsenal on Benefit Street – hope to see you there!).

Preparing for Cage Concert

Last week we talked about a composer named John Cage. We watched some videos about him and looked at scores he composed and got a feel for how he is as an artist. He’s famous for “reinventing the musical playing field” (Malachy).  We tried some of his scores in class together because we have been invited to perform at the Arsenal on March 23 as part of a Cage Centennial concert.

This week we planned our performance. We picked durations for each of the scores we will perform by picking dominoes out of a pile. The numbers on the dominos told us for how many minutes we would perform each score.

We are most excited for eating cereal and bringing skateboards to the stage!


 

 

(more…)

Remixing Our Voices

We started to work on a new project.

First, we sat in a circle and made a recording of our voices.

[audio:http://www.communitymusicworks.org/medialab/wp-content/uploads/2012/02/ClassNoises.mp3|titles=ClassNoises]

Then we each took this recording to make new pieces, using LogicPro.

Here are the 6 directions for the piece that we made:

1. The length of the piece will be no shorter than 1 minute & no longer than 3 minutes

2. No use of pre-made (by someone else) sounds

3. Use at least 3 different sounds, including 1 new live recording

4. Make this piece “rhythm/beat oriented”

5. Include at least 1 peak point in the piece

6. Don’t loop everything, but repeat something

And here are the pieces!!!

Aiden – [audio:http://www.communitymusicworks.org/medialab/wp-content/uploads/2012/02/swagaiden.mp3|titles=swagaiden]

Brandon – [audio:http://www.communitymusicworks.org/medialab/wp-content/uploads/2012/02/Brandon1.mp3|titles=Brandon1]

Emily – [audio:http://www.communitymusicworks.org/medialab/wp-content/uploads/2012/02/EmilyC.mp3|titles=EmilyC]

Liam – [audio:http://www.communitymusicworks.org/medialab/wp-content/uploads/2012/02/Liam-pizzicatto-21312.mp3|titles=Liam pizzicatto 21312]

[audio:http://www.communitymusicworks.org/medialab/wp-content/uploads/2012/02/Liam-mvmt.-2-21312-1.mp3|titles=Liam mvmt. 2 21312 1]

Malachy – [audio:http://www.communitymusicworks.org/medialab/wp-content/uploads/2012/02/ChickenNuggetsBySnakeSquadMalachyH.mp3|titles=ChickenNuggetsBySnakeSquadMalachyH]

 

 

Day 8: Vocal and Instrument Improvisation with Chrissy Wolpert

Today we had a class of vocal & instrument improvisation with a local composer/musician, also a leader of the women’s choir group Assembly of Light Choir, Chrissy Wolpert.

Chrissy started the class with voice warm up.

“As loud as possible”

 

 

 

 

 

 

 

 

Then we sang a round: “Ah Poor Bird”

 

 

 

 

 

 

 

 

After the warm up, Chrissy took us into the Media Lab where she set up microphones with effect pedals. Each of us got a microphone, and experimented with vocals (singing, talking, whispering, making funny and unrecognizable sounds) with different effect pedals such as distortion, octave, reverb, echo. We also tried to sing “Ah Poor Bird” again through the pedals.

 

 

 

 

 

 

 

 

Then Chrissy introduced us to a loop pedal. Everyone separately recorded 3 seconds of vocals and ended up with layers of vocal loop recording. We did this a couple of times – one of them turned out to be all speaking words (which sounded like a poetry reading battle), and another one turned out to be a tower of complex harmonies.

After that, we were introduced to contact microphones.

We each got one homemade contact microphone, which we first taped to our throats and then taped to our instruments. Contact microphones are much more sensitive than regular microphones because they directly attach to the sound-making object and delicately pick up all the vibrations made.

 

 

 

 

 

 

 

 

 

What a class! Possibilities of finding different ways of sound making, even on the same instrument, seems to be limitless. Our experiment with sounds and music making never ends. Big big thanks to Chrissy!

 

 

Listen to some samples of what we made here:

[audio:http://www.communitymusicworks.org/medialab/wp-content/uploads/2012/01/1_9_12-634-PM-Voice-Memo.mp3|titles=1]
[audio:http://www.communitymusicworks.org/medialab/wp-content/uploads/2012/01/1_9_12-635-PM-Voice-Memo.mp3|titles=2]
[audio:http://www.communitymusicworks.org/medialab/wp-content/uploads/2012/01/1_9_12-720-PM-Voice-Memo.mp3|titles=3]
[audio:http://www.communitymusicworks.org/medialab/wp-content/uploads/2012/01/1_9_12-725-PM-Voice-Memo-1.mp3|titles=4]
[audio:http://www.communitymusicworks.org/medialab/wp-content/uploads/2012/01/1_9_12-725-PM-Voice-Memo.mp3|titles=5]
[audio:http://www.communitymusicworks.org/medialab/wp-content/uploads/2012/01/1_9_12-727-PM-Voice-Memo.mp3|titles=6]

Day 5-7: Chance Music

 

Today we started our experiment with chance music.

In chance music (also called aleatory/aleatoric music), some element of the composition and/or the performance of the piece is left to chance.

For a starting piece, we made a simple system which is a list of musical notes that are picked based on our birth months. There are 12 different notes in a chromatic scale and 12 months in a year, so we numbered the 12 notes then picked everyone’s birth month number notes. Then the performers (2 people this time) played their instruments using this list of notes. The performers were composing a piece as they played together, only using those picked notes, and all the rest of elements of music including rhythms, range of the notes, duration of the notes, space between notes, dynamics, mood of the music.. etc. were completely up to the performers.

Then we each made a graphic music score (a graphic score is a score that’s not only written in modern musical notation). There was no rules or directions to make these scores, except they were made on a piece of paper, and they were for musical pieces. Things we used to make graphic scores included drawings, words, numbers, maps, and scraps of pictures from a magazine.

 Rolling dice to pick notes

 

Then we had a curious performance of the pieces we just made.

“For Imitated Banjo & Viola, created by voices” by Aiden S.

 

 

 

 

 

 

 

 

Performed by: Liam & Malachy H. [audio:http://www.communitymusicworks.org/medialab/wp-content/uploads/2011/12/aidens.mp3|titles=aiden’s]

2nd performance of the same piece was attempted by Aiden, Brandon, Liam, Malachy, Sofie, David, Jori and Sakiko. This time we played the piece as “For Imitated Banjo, Viola, Piano & Percussion created by voices”.
[audio:http://www.communitymusicworks.org/medialab/wp-content/uploads/2011/12/aidens-21.mp3|titles=aiden’s 2]

 

“A map for a conversation of 2 people” by David Lee

watch?v=HK-H10nx0u0&feature=youtu.be

Also as inspirations we watched “Aleatoric Water Music” video, listened to “Erratum Musical”, a chance operated piece made by Marcel Duchamp in 1913.

 

Sakiko also brought in a 4-track recorder, and we took turns recording ourselves (creating multi-track compositions). Here’s a photo of us working together on a track:


 
 
 
 
 
 
 
 
 
  
 
 
 

While people made individual pieces, the rest of us watched a documentary called RIP: A Remix Manifesto and talked about remixing and sampling and freedom in the digital age (see also FreeBieber.org) We also talked about a project Jori had recently seen in New Orleans called “The Music Box” (aka A Shantytown Sound Library, or Phase 1 of Dithyrambalina). What an amazing few days!

Day 4

We have been working on our music individually in the last 4 classes, using our field recordings from Day 1. Here is what we did in our fourth class:

1. Went outside to get field recordings
2. Edited those field recordings in the music program LogicPro
3. Started to put together those edited recordings, and as we put them together some of us recorded additional sounds like voices, instruments, hand clapping etc. in the lab.
4. Kept working!

The results are here!

Aiden S [audio:http://www.communitymusicworks.org/medialab/wp-content/uploads/2011/11/Aiden2.mp3|titles=Aiden S]

Brandon L  [audio:http://www.communitymusicworks.org/medialab/wp-content/uploads/2011/11/Brandon.mp3|titles=Brandon L]

Gabriel V [audio:http://www.communitymusicworks.org/medialab/wp-content/uploads/2011/11/Gabriel1.mp3|titles=Gabriel]

Malachy H [audio:http://www.communitymusicworks.org/medialab/wp-content/uploads/2011/11/MalachyField.mp3|titles=Malachy H]

Sofie L [audio:http://www.communitymusicworks.org/medialab/wp-content/uploads/2011/11/Sophie.mp3|titles=Sofie L]

 

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