Blog

CMW Players at the Farmers Market

The
CMW Players performed Joachim Raff’s Octet in C Major at the Armory Farmers
Market on September 13, and the experience served as a microcosmic
view of the world my colleagues have created at Community MusicWorks.

 

When
I arrived at the Farmers Market, Sebastian was warming up on violin
and had already attracted a small herd of children around his knees. He
played children’s songs for them as he smilingly engaged them in
conversation. A
few yards away was the spot where we would perform (following
the end of a drum circle performance), so we set up our octet under a
tree at the edge of the Dexter Training Grounds.

 

Liz
Cox
, who I’ve discovered to be a blend of superhero, comedienne, and
all-around facilitator, brought a stack of literature and our iconic red stickers from the office so that we had something tangible about CMW to offer to
the crowd. This was essential as we were going to be unable to effectively
introduce ourselves from the grassy “stage” with our audience of
shoppers in near-constant motion.

 

When
we had eight instruments in tune, eight binders of music settled on
eight stands, and eight pairs of eyes in contact, the ensemble launched
into the Raff. Given our new and disconcerting acoustic (Mother Nature
furnishes no reverb), the Players leaned in, watching, listening, and
focusing with the sort of attention that adrenaline and acoustic
uncertainty readily provide. Our pages flew about in the breeze and the
sun indiscriminately shone in our eyes, but we held to one another when
the musical going got tough. The Raff is a roller coaster of emotional
content, and it was a pleasure to ride it with my colleagues.

 

The
performance and its environment appear to me, even at this early stage
of my Fellowship Program experience, to be quintessential CMW. We offered our music to a
new audience that day, and several of the people we met were so
enthusiastic as to donate on the spot. We took on a performance that
that would stretch and challenge our understanding of the music, and we
learned volumes from the experience. We made new connections in our
neighborhood and took a step toward expanding the space that the arts
occupy in our local landscape, and I’m excited for our neighborhood arts
adventures of the year to come.

-Annalisa Boerner, Fellow

Introducing Quartetville

The most recent creation of Geoff Hudson and Alisa Pearson, the wonderfully inventive team that brought the Bug Opera to Providence in 2006 and the Quartet Project in 2008, Quartetville is the place for string quartet musicians of all ages and
interests to connect, share, and learn from each other online! Upload
clips of your quartet, participate in regular challenges, and learn
from some of this country’s best-known and most celebrated professional quartets.

Learn about Quartetville, including their exciting 50 State Challenge during the month of October, by clicking here.

Habanera (part 4)

Habanera:

[audio:http://www.communitymusicworks.org/medialab/wp-content/uploads/2012/09/Habanera-copy-31.mp3|titles=Habanera copy 3]

Slow Rehearsal Recording:

[audio:http://www.communitymusicworks.org/medialab/wp-content/uploads/2012/09/Habanera-Slow-RR-Dante.mp3|titles=Habanera Slow RR Dante]

Rehearsal Recording:

[audio:http://www.communitymusicworks.org/medialab/wp-content/uploads/2012/09/Habanera-RR-Dante-1.mp3|titles=Habanera RR Dante 1]

Single Part:

[audio:http://www.communitymusicworks.org/medialab/wp-content/uploads/2012/09/Habanera-Dante.mp3|titles=Habanera Dante]

Habanera (part 3)

Habanera:

[audio:http://www.communitymusicworks.org/medialab/wp-content/uploads/2012/09/Habanera.mp3|titles=Habanera]

Slow Rehearsal Recording:

[audio:http://www.communitymusicworks.org/medialab/wp-content/uploads/2012/09/Habanera-RR-Slow-Jose.mp3|titles=Habanera RR Slow Jose]

Rehearsal Recording:

[audio:http://www.communitymusicworks.org/medialab/wp-content/uploads/2012/09/Habanera-RR-Jose.mp3|titles=Habanera RR Jose]

Single Part:

[audio:http://www.communitymusicworks.org/medialab/wp-content/uploads/2012/09/Habanera-Jose.mp3|titles=Habanera Jose]

Habanera (part 1)

Habanera:

[audio:http://www.communitymusicworks.org/medialab/wp-content/uploads/2012/09/Habanera-copy-2.mp3|titles=Habanera copy 2]

Slow Rehearsal Recording:

[audio:http://www.communitymusicworks.org/medialab/wp-content/uploads/2012/09/Habanera-Slow-RR-Ruby.mp3|titles=Habanera Slow RR Ruby]

Rehearsal Recording:

[audio:http://www.communitymusicworks.org/medialab/wp-content/uploads/2012/09/Habanera-RR-Ruby.mp3|titles=Habanera RR Ruby]

Single Part:

[audio:http://www.communitymusicworks.org/medialab/wp-content/uploads/2012/09/Habanera-Ruby.mp3|titles=Habanera Ruby]

 

Habanera (part 2)

Habanera:

[audio:http://www.communitymusicworks.org/medialab/wp-content/uploads/2012/09/Habanera-copy-3.mp3|titles=Habanera copy 3]

Slow Rehearsal Recording:

[audio:http://www.communitymusicworks.org/medialab/wp-content/uploads/2012/09/Habanera-Slow-RR-Nohely.mp3|titles=Habanera Slow RR Nohely]

Rehearsal Recording:

[audio:http://www.communitymusicworks.org/medialab/wp-content/uploads/2012/09/Habanera-RR-Nohely.mp3|titles=Habanera RR Nohely]

Single Part:

[audio:http://www.communitymusicworks.org/medialab/wp-content/uploads/2012/09/Habanera-Nohely.mp3|titles=Habanera Nohely]

Sarabande

Sarabande:

[audio:http://www.communitymusicworks.org/medialab/wp-content/uploads/2012/09/Bach-Sarabande-Score-2.mp3|titles=Bach Sarabande Score 2]

Slow Rehearsal Recording:

[audio:http://www.communitymusicworks.org/medialab/wp-content/uploads/2012/09/Bach-Sarabande-Score-RR-Lyrids1.mp3|titles=Bach Sarabande Score RR Lyrids]

Rehearsal Recording:

[audio:http://www.communitymusicworks.org/medialab/wp-content/uploads/2012/09/Bach-Sarabande-Score-RR-Lyrids.mp3|titles=Bach Sarabande Score RR Lyrids]

Single Part:

[audio:http://www.communitymusicworks.org/medialab/wp-content/uploads/2012/09/Single-Part-Bach-Sarabande-Score-Lyrids.mp3|titles=Single Part Bach Sarabande Score Lyrids]

Sarabande

Sarabande:

[audio:http://www.communitymusicworks.org/medialab/wp-content/uploads/2012/09/Bach-Sarabande-1.mp3|titles=Bach Sarabande 1]

Slow Rehearsal Recording:

[audio:http://www.communitymusicworks.org/medialab/wp-content/uploads/2012/09/Slow-Bach-Sarabande-Score-RR-Orions.mp3|titles=Slow Bach Sarabande Score RR Orions]

Rehearsal Recording:

[audio:http://www.communitymusicworks.org/medialab/wp-content/uploads/2012/09/Bach-Sarabande-Score-RR-Orions.mp3|titles=Bach Sarabande Score RR Orions]

Single Part:

[audio:http://www.communitymusicworks.org/medialab/wp-content/uploads/2012/09/Single-Part-Bach-Sarabande-Score-Orions.mp3|titles=Single Part Bach Sarabande Score Orions]

Sarabande

Sarabande:

[audio:http://www.communitymusicworks.org/medialab/wp-content/uploads/2012/09/Bach-Sarabande-21.mp3|titles=Bach Sarabande 2]

Slow Rehearsal Recording:

[audio:http://www.communitymusicworks.org/medialab/wp-content/uploads/2012/09/Slow-Bach-Sarabande-Score-RR-Perseids.mp3|titles=Slow Bach Sarabande Score RR Perseids]

Rehearsal Recording:

[audio:http://www.communitymusicworks.org/medialab/wp-content/uploads/2012/09/Bach-Sarabande-RR-Perseids.mp3|titles=Bach Sarabande RR Perseids]

Single Part:

[audio:http://www.communitymusicworks.org/medialab/wp-content/uploads/2012/09/Single-Part-Bach-Sarabande-Perseids.mp3|titles=Single Part Bach Sarabande Perseids]

Welcome Annalisa!

Annalisa

Annalisa Boerner, Viola Fellow, hails from Columbus,
Ohio, where she grew up studying viola, playing chamber music and loving Ohio
State football. She spent six years in Cleveland, gaining her Bachelor of Music
degree and most recently completed her Master of Music degree at the Cleveland
Institute of Music. Annalisa grew up playing chamber music at the Chamber Music
Connection
in Columbus. From 2010 to 2012, Annalisa served as the organization's Assistant Artistic Director.

Despite Cleveland's cliched mediocre
reputation, Annalisa will defend her favorite city to anyone who will listen,
and this year will be the first time living outside of her home state. In addition
to playing music, Annalisa enjoys cooking, and makes a
mean soup.  She can also be found playing ultimate frisbee, painting,
thrifting, and drinking about six cups of coffee a day.

Annalisa’s
thoughts about the beginning of the Fellowship:

“I feel that I have thus far led a life of incredible
opportunity, and in my professional life I want to use my skills and experience
to create what opportunity I can for kids who were not given the same
advantages. Community-based non-profit
work appears to me to be a personally and artistically rewarding context for the practice of any of the fine arts, and in particular I
have come to believe that music has a unique capacity to unlock and reveal
potential in those who study and perform it.

I am happy to be entering a position where I can both play
music and act as a creative, thinking individual. I look forward to having the
opportunity to work with private students consistently over the next two
years.”

We're delighted to welcome Annalisa to CMW and the Fellowship Program!

-Minna Choi, Fellowship Program Director

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